The work is a video documentation of a performance showing the artist on a rooftop, trying to catch into her skirt the eggs that fly from all directions. She catches some, but not all. The artist runs from left to right – just like the Soviet electronic game where the wolf from the popular child’s cartoon “Nu, Pogodi!” catches eggs in a basket on the screen. ‘Eggs’ makes a statement on the gender status of the individual, as part of the social structure of prescribed relations between the sexes. It is the video documentation of a performance in which the artist reviews the theme of voluntary female victimization and the nature of aggression that exists in socially legitimate forms.