Shelganov Edward – Cyland Video Archive https://videoarchive.cyland.org Video Archive Wed, 15 Apr 2026 21:54:29 +0000 en-US hourly 1 https://wordpress.org/?v=4.5.25 Work Without Mistakes https://videoarchive.cyland.org/video_archive/work-without-mistakes-2/ Tue, 08 Aug 2017 14:37:37 +0000 http://videoarchive.cyland.org/?post_type=video_archive&p=10347 The desire to grow closer to yourself will lead you to disappear. The simple desire to get a closer look at yourself makes you see yourself disappear. The possibilities of recording are limited.   Video stills:

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]]> The desire to grow closer to yourself will lead you to disappear. The simple desire to get a closer look at yourself makes you see yourself disappear. The possibilities of recording are limited.

  
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]]> Underwater Scream https://videoarchive.cyland.org/video_archive/underwater-scream/ Tue, 08 Aug 2017 14:20:25 +0000 http://videoarchive.cyland.org/?post_type=video_archive&p=10343 A philosophical contemplation of the author about finding and losing yourself and the other in yourself. The film traces the opposition of photography and cinema.  Video stills:

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]]> A philosophical contemplation of the author about finding and losing yourself and the other in yourself. The film traces the opposition of photography and cinema.


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]]> The Russian Mute https://videoarchive.cyland.org/video_archive/the-russian-mute/ Tue, 08 Aug 2017 13:58:42 +0000 http://videoarchive.cyland.org/?post_type=video_archive&p=10340 In this film, Eduard Sheglanov wanted to present a person as an element of language, and see how a sign lives. The film came together spontaneously, influenced by charming stories about the jazz improvisation of Cassavetes’ films. The author associates this image with the beginning of the garrulous and fruitless 1990s.  Video stills:

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]]> In this film, Eduard Sheglanov wanted to present a person as an element of language, and see how a sign lives. The film came together spontaneously, influenced by charming stories about the jazz improvisation of Cassavetes’ films. The author associates this image with the beginning of the garrulous and fruitless 1990s.

 
Video stills:

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]]> New Icarus https://videoarchive.cyland.org/video_archive/new_icarus/ Sun, 09 Jul 2017 22:23:19 +0000 http://videoarchive.cyland.org/?post_type=video_archive&p=10259 The idea of the film was born after reading Vsevolod Pudovkin’s filmography that included the movie “The End of St. Petersburg” made in the 1920s. It was 1992, the time of Perestroika. The Greek myths have always provided abundant material for stories about people falling apart because of diverse temptations. The artist selects the mythological … Continue reading "New Icarus"

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]]> The idea of the film was born after reading Vsevolod Pudovkin’s filmography that included the movie “The End of St. Petersburg” made in the 1920s. It was 1992, the time of Perestroika. The Greek myths have always provided abundant material for stories about people falling apart because of diverse temptations. The artist selects the mythological figure of Icarus and creates a romantic self-portrait performance.

 
Video stills:

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]]> Group Portrait of Loneliness https://videoarchive.cyland.org/video_archive/group_portrait_of_loneliness/ Sun, 09 Jul 2017 22:11:54 +0000 http://videoarchive.cyland.org/?post_type=video_archive&p=10258 This movie marks the understanding of cinema as an extra-human effort and finds cinema beyond the human, somewhere on the territory of its non-existence. The movie was shot on 16mm film in the 1990s and rendered for DVD in the 2000s.  Video stills:

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]]> This movie marks the understanding of cinema as an extra-human effort and finds cinema beyond the human, somewhere on the territory of its non-existence. The movie was shot on 16mm film in the 1990s and rendered for DVD in the 2000s.

 
Video stills:

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