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	<title>Kazakov Boris &#8211; Cyland Video Archive</title>
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	<link>https://videoarchive.cyland.org</link>
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		<title>STAKES</title>
		<link>https://videoarchive.cyland.org/video_archive/stakes/</link>
		<pubDate>Wed, 09 Aug 2017 14:16:20 +0000</pubDate>
		<dc:creator><![CDATA[Darya Cherkashina]]></dc:creator>
		
		<guid isPermaLink="false">http://videoarchive.cyland.org/?post_type=video_archive&#038;p=10364</guid>
		<description><![CDATA[<p>The film uses the technique of drawing on 35-mm film. For the original material, he used several shots from Yevgeny Yufit’s film “Silver Heads”. In 1999, “Koly” took part in the Berlinale. The plot: nature cannot stop science, which creates a hybrid of a human being and a tree. The leading role is played by &#8230; <a href="https://videoarchive.cyland.org/video_archive/stakes/" class="more-link">Continue reading<span class="screen-reader-text"> "STAKES"</span></a></p>
<p>The post <a rel="nofollow" href="https://videoarchive.cyland.org/video_archive/stakes/">STAKES</a> appeared first on <a rel="nofollow" href="https://videoarchive.cyland.org">Cyland Video Archive</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p><span style="font-weight: 400;">The film uses the technique of drawing on 35-mm film. For the original material, he used several shots from Yevgeny Yufit’s film “Silver Heads”. In 1999, “Koly” took part in the Berlinale. The plot: nature cannot stop science, which creates a hybrid of a human being and a tree. The leading role is played by Nikolai Marton.</span></p>
<p><strong> <br />Video stills:<br /><div class="su-custom-gallery su-custom-gallery-title-never"><div class="su-custom-gallery-slide"><a href="https://videoarchive.cyland.org/wp-content/uploads/2017/08/2.png" title="2"><img src="https://videoarchive.cyland.org/wp-content/uploads/2017/08/2-90x90.png" alt="2" width="90" height="90" /><span class="su-custom-gallery-title">2</span></a></div><div class="su-custom-gallery-slide"><a href="https://videoarchive.cyland.org/wp-content/uploads/2017/08/57_STAKES.png" title="57_STAKES"><img src="https://videoarchive.cyland.org/wp-content/uploads/2017/08/57_STAKES-90x90.png" alt="57_STAKES" width="90" height="90" /><span class="su-custom-gallery-title">57_STAKES</span></a></div><div class="su-clear"></div></div></strong></p>
<p>The post <a rel="nofollow" href="https://videoarchive.cyland.org/video_archive/stakes/">STAKES</a> appeared first on <a rel="nofollow" href="https://videoarchive.cyland.org">Cyland Video Archive</a>.</p>
]]></content:encoded>
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		<item>
		<title>Nestlings of the Sea</title>
		<link>https://videoarchive.cyland.org/video_archive/nestlings-of-the-sea/</link>
		<pubDate>Tue, 08 Aug 2017 15:34:55 +0000</pubDate>
		<dc:creator><![CDATA[Darya Cherkashina]]></dc:creator>
		
		<guid isPermaLink="false">http://videoarchive.cyland.org/?post_type=video_archive&#038;p=10361</guid>
		<description><![CDATA[<p>“Nestlings of the Sea” is a plotless film that uses the technique of drawing and scratching on 35mm film. The artist uses old archive films in a new way. The original material is documentary films produced by amateur Soviet studios in the 1970s. This art is a kind of delayed social art, continuing the tradition &#8230; <a href="https://videoarchive.cyland.org/video_archive/nestlings-of-the-sea/" class="more-link">Continue reading<span class="screen-reader-text"> "Nestlings of the Sea"</span></a></p>
<p>The post <a rel="nofollow" href="https://videoarchive.cyland.org/video_archive/nestlings-of-the-sea/">Nestlings of the Sea</a> appeared first on <a rel="nofollow" href="https://videoarchive.cyland.org">Cyland Video Archive</a>.</p>
]]></description>
				<content:encoded><![CDATA[<p style="text-align: justify;"><span style="font-weight: 400;">“Nestlings of the Sea” is a plotless film that uses the technique of drawing and scratching on 35mm film. The artist uses old archive films in a new way. The original material is documentary films produced by amateur Soviet studios in the 1970s.</span></p>
<p style="text-align: justify;"><span style="font-weight: 400;">This art is a kind of delayed social art, continuing the tradition of an ironic interpretation of Soviet culture. Many methods bring it close to the aesthetics of the “parallel cinema” of the 1980s. The aggressive “battle for peace” is only the outer layer of the work, its true meaning is the absolute absurdity of everything that official ideology offers.</span></p>
<p style="text-align: justify;"><strong> <br />Video stills:<br /><div class="su-custom-gallery su-custom-gallery-title-never"><div class="su-custom-gallery-slide"><a href="https://videoarchive.cyland.org/wp-content/uploads/2017/08/56Nestlings-of-the-Sea.jpg" title="56Nestlings of the Sea"><img src="https://videoarchive.cyland.org/wp-content/uploads/2017/08/56Nestlings-of-the-Sea-90x90.jpg" alt="56Nestlings of the Sea" width="90" height="90" /><span class="su-custom-gallery-title">56Nestlings of the Sea</span></a></div><div class="su-clear"></div></div></strong></p>
<p>The post <a rel="nofollow" href="https://videoarchive.cyland.org/video_archive/nestlings-of-the-sea/">Nestlings of the Sea</a> appeared first on <a rel="nofollow" href="https://videoarchive.cyland.org">Cyland Video Archive</a>.</p>
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